He cut the zip ties with a small knife. “The first spot is the water tower trestle on 7th Street. A thirty-foot drop to a chain-link fence. It’s never been landed. We’ll have a cleanup crew for the aftermath, of course. All you have to do is hold the camera steady. Capture the beauty of the fracture.”
“One condition,” Leo said, his voice steady. “I shoot it in full 4:3, no digital stabilization. That’s the only way the impact looks real.” 411 scenepacks
“I don’t film death,” Leo said.