Iceberg Drums

FPC Preset demo:

TAL-DRUM Presets demo:
Default
Broken
Compressed
Jungle d'n'b
Old Tape
Random Tools
SlowDown
Squashed
Supertransients
UFO
ICEBERG DRUMS kit for FPC and TAL-DRUM with 10 creative presets for TAL-DRUM. Drum kit includes 4 unique round-robin layers (FPC) with 4 velocity layers (FPC and TAL-DRUM).
| Iceberg Drums |
| 44100Hz |
| Flac |
| 4 round-robin layers (FPC) |
| 4 velocity layers (FPC, TAL-DRUM) |
| 10 presets (TAL-DRUM) |
Available for FPC and TAL-DRUM
Electric Guitar for DirectWave created by additive physical modelling synthesis and rendered as sample library. Based on HarmonezRG2570. It's an easy-to-play multi bank instrument. Guitar includes 4 unique round-robin layers with 5 velocity layers.
| Electric Guitar for DirectWave |
| Based on HarmonezRG2570 |
| 44100Hz |
| Wav 16 bit |
| 4 round-robin layers |
| 5 velocity layers |
| 6 midi channels = 6 guitar strings |
| Velocity 123-127 = pinch harmonic |
| Velocity 64-122 = sustain |
| Velocity 1-63 = palm mute |
| 4 rounnd-robin layers |
Available for IL DirectWave
Download zip file (2GB):
| System requirements: |
| IL DirectWave |
| Any ampsim. You can use this free pack. |
| 2Gb free disc space |
Cybernezz RG 2075 Guitar created by additive physical modelling synthesis and rendered as sample library. It's an easy-to-play full keyboard range instruments. You need only few midi CC controllers for create deepest sound. Cybernezz Guitar includes 6 unique round-robin layers with 13 velocity layers.

| Cybernezz: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| 13 velocity layers |
| MIDI CC: |
| cc01 - whammy bar |
| cc11 - volume |
| cc72 - release duration |
| cc73 - boost pedal |
| cc74 - attack |
| cc75 - cabinet |
Available for Native Instruments Kontakt 6.5.3 (full) or higher
Download zip file (12GB):
| System requirements: |
| NI Kontakt |
| Any ampsim. You can use this free pack. |
| 12Gb free disc space |
Pink Harmonics. This instrument is designed to travel travel through the space-time continuum. The warp drive is very simple to use. MidiCC 1 (modulation wheel) warps Space. MidiCC 11 (expression wheel) warps Time. Welcome to Hyperspace! Have a nice warp journey!
Have fun!

| Pink Harmonics: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| filter velocity layers |
| MIDI CC: |
| cc01 - sapce warp |
| cc11 - time warp |
Available for Native Instruments Kontakt 6.5.3 or higher
Download zip file:
| System requirements: |
| NI Kontakt |
Mayanez created by additive modelling synthesis and rendered as sample library. It's an easy-to-play full keyboard range instruments. You need only few midi CC controllers for create deepest sound. Mayanez Guitar includes 6 unique round-robin layers with 13 velocity layers.

| Mayanez: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| 13 velocity layers |
| MIDI CC: |
| cc01 - whammy bar |
| cc11 - volume |
| cc72 - release duration |
| cc73 - boost pedal |
| cc74 - attack |
Available for Native Instruments Kontakt 6.5.3 or higher
Download zip file (15GB):
| System requirements: |
| NI Kontakt |
| Any ampsim. You can use this free pack. |
| 15Gb free disc space |
Djent Guitar created by wavetable physical modelling synthesis and rendered as sample library. It's an easy-to-play full keyboard range instruments. You need only few midi CC controllers for create deepest sound. Djent Guitar includes 6 unique round-robin layers with 13 velocity layers. To evaluate all the capabilities of Djent Guitar, there is a demo projects for FL Studio, Cakewalk, Reaper and a midi file for any other DAW.

| Djent Guitar: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| 13 velocity layers |
| MIDI CC: |
| cc01 - whammy bar |
| cc11 - volume |
| cc72 - release duration |
| cc73 - boost pedal |
| cc74 - attack |
Available for Native Instruments Kontakt 6.5.3 or higher
Download zip file (11GB):
from Patreon (You must be a subscriber)
| System requirements: |
| NI Kontakt |
| Any ampsim. You can use this free pack. |
| 11Gb free disc space |
Lola Valentine has created a safe space for the uncomfortable. She reminds us that the loudest truths are rarely shouted—they are breathed. If you are ready to stop hearing music and start feeling it in your sternum, press play. Just don’t blame us if you feel like you need to buy her breakfast afterward.
She has stated in interviews that she recorded most of these vocals in the dark, alone, often at 3 AM. That nocturnal energy bleeds through every track. This is the sound of overthinking, of desire, of the quiet panic of falling in love. Intimate Vibrations is not for your commute. It is not for the gym. It is for headphones at midnight, with the lights off and the rain against the window. lola valentine intimate vibrations
Lola plays with stereo space like a sculptor plays with clay. In the track "Fingertips," her voice moves from your left ear to your right, circling your skull as if she is walking around you in a dark room. It is disorienting, thrilling, and deeply, deeply personal. What makes Intimate Vibrations stand out is the risk involved. To sing this softly, with this much raw proximity, is an act of extreme vulnerability. There is no autotune fortress to hide behind here. When Lola’s voice cracks on the bridge of "Hollow," you feel that crack in your own chest. Lola Valentine has created a safe space for
The lead single, "Velvet Rope," perfectly encapsulates this tension. Over a minimalist beat that sounds suspiciously like a human heartbeat, Lola’s vocals oscillate between a spoken word purr and a soaring, fragile hook. She sings about the walls we build and the people we let tear them down—specifically, the physical act of letting someone close enough to feel your pulse. Critics have been quick to label this "bedroom pop," but that feels reductive. Bedroom pop implies lo-fi, low stakes, and accidental genius. Intimate Vibrations is deliberate. It is high art pretending to be a diary entry. Just don’t blame us if you feel like
Her latest project, Intimate Vibrations , is less of an album and more of a séance. In a music landscape currently obsessed with stadium-filling bass drops and TikTok-ready hooks, Lola has done the unthinkable: she turned the volume down . The result is a sonic experience that feels less like listening and more like eavesdropping on someone’s soul. Let’s be clear: this isn't a gimmick. When Lola Valentine leans into the mic, you hear the texture of her lips, the resonance in her chest, the faint hum of a vintage amplifier warming up in a dark room. Intimate Vibrations is meticulously produced, but it is produced to sound unproduced .
Best listened to: In the dark, on vinyl, alone (or with someone you don't mind seeing you cry). Have you listened to Intimate Vibrations ? Does the intimacy feel authentic, or too invasive? Drop your thoughts in the comments below.
There is a specific frequency that exists just below a whisper. It’s the sound of a secret, the rustle of sheets, or the catch of breath before a confession. Lola Valentine doesn’t just sing in that frequency; she inhabits it.
Breathing Of The Sadness is a synthesized pad strings. This sample library contains 528 samples purely designed with multilayer additive synthesizers for realistic fillings. It is also round-robin based, so even if you trigger the same note – you will get natural subtle variation.
| KEY STATS: |
| 48kHz |
| WAV OGG VORBIS for DirectWave |
| NCW lossless for Kontakt |
| 528 samples |
| 6 round-robin layers |
| Carefully Looped |
Available for Native Instruments Kontakt and Image Line DirectWave
This library is Royalty-free. You can use it for creating commercial music or own library.
Download Zip files (129MB for DirectWave & 1780MB for Kontakt):
| System requirements: |
| NI Kontakt or IL DirectWave |
| 70Mb RAM for Kontakt or 3200Mb RAM for DirectWave |
| 2000Mb free disc space for Kontakt or 130Mb free disc space for DirectWave |
Uncompressed 48kHz 24bit Royalty-free WAV files you can use for creating your own version of the library or for another sampler.
Download Zip file (2270Mb)