Series 11 ((new)) Link

A season of noble experiments—some that soar, some that stumble. Essential viewing for Whittaker’s radiant Doctor and two of the show’s best historicals. 7/10

Chibnall’s tenure was defined by a commitment to pure historical episodes—stories with no alien monsters, just real human evil. Rosa , co-written by Malorie Blackman, is the season’s undisputed masterpiece. It places the TARDIS team in 1955 Alabama, forcing them to ensure Rosa Parks’ arrest proceeds without interference. It’s tense, educational, and devastating. Similarly, Demons of the Punjab is a quiet, heartbreaking tale about Partition, love, and cultural memory, with aliens serving as silent witnesses rather than villains. series 11

The strength of this era is its grounded humanity. Graham’s grief over his late wife Grace, Ryan’s struggle with his absent father, and Yaz’s feeling of being overlooked are given space. However, the sheer number of characters often meant Yaz, in particular, was underserved, her police training used less as a skill set and more as a justification for her presence. A season of noble experiments—some that soar, some

After years of brooding, morally complex male Doctors, Jodie Whittaker arrived like a sunburst. Her Doctor is empathetic, relentlessly optimistic, and deeply social—more fixer than fighter. The series wisely avoided making gender a plot point. Instead, Whittaker’s performance focused on what makes the Doctor the Doctor: boundless curiosity, a fierce protection of the innocent, and a tendency to build improvised sonic gadgets out of spoons. Episodes like The Woman Who Fell to Earth and It Takes You Away showcase her range, from manic inventor to quietly heartbroken alien. Rosa , co-written by Malorie Blackman, is the