Then, 1997 happened. And it was the strangest, most chaotic, most beautiful car crash of genres ever assembled on a single year-end chart.
Tension: 1997 couldn’t decide if it wanted to mourn or dance. At #6 was "I'll Be Missing You" by Puff Daddy & Faith Evans . A eulogy for The Notorious B.I.G. (murdered that March) set to the sample of The Police’s "Every Breath You Take." It was grief as a Billboard hit. top 20 songs 1997
None of these artists would ever have a top 20 hit again. 1997 was a hit-and-run. You got your 15 minutes, then vanished. At #15 was "Everlong" by Foo Fighters . Wait, no—that's a lie. "Everlong" peaked at #3 on the Modern Rock chart, but on the Hot 100? It didn't even crack the top 40. The future of rock (Dave Grohl) was languishing while "Tubthumping" by Chumbawamba (#17) was a massive hit. Yes, the song with "I get knocked down, but I get up again" was more popular than any Foo Fighters song in 1997. Then, 1997 happened
If you look at the , you won’t find a theme. You’ll find a nervous breakdown. Here is the story of that year, told through five unlikely battles. Battle 1: The Diva vs. The Spaceman At #4 was "You Were Meant for Me" by Jewel —a folk singer with a $20 guitar and a poem about loneliness. At #3 was "Foolish Games" also by Jewel . Yes, she occupied two spots in the top five, beating everyone except Puff Daddy and Elton John. Her music was quiet, acoustic, and vulnerable. It was the sound of a girl in a coffee shop. At #6 was "I'll Be Missing You" by Puff Daddy & Faith Evans
1997 was the last year the music industry had no idea what to do. So it just played everything. And somehow, that was glorious.
In late 1996, the music industry was panicking. Grunge was dead (Kurt Cobain had been gone for two years), and the nihilistic tantrum of Marilyn Manson and Nine Inch Nails was too dark for radio. Executives didn’t know what the future sounded like.
But 1997 also gave us the anti-Spice Girl. At #20 was . A rock song with the chorus: "I’m a bitch, I’m a lover, I’m a child, I’m a mother." Radio played it constantly, often bleeping the title while playing the song. The cognitive dissonance was perfect. Battle 4: The One-Hit Wonder Graveyard This is where the chart gets weird. #10: "Where Have All the Cowboys Gone?" by Paula Cole . A feminist anti-cowboy song with a kazoo solo. #14: "Semi-Charmed Life" by Third Eye Blind . A bouncy, doo-doo-doo-doo’d pop hit that was secretly about meth addiction. #16: "Barely Breathing" by Duncan Sheik . A song so quiet you had to turn your car stereo to max to hear it.