Pepa looks at the answering machine. She picks it up. Walks to the window. And hurls it into the street below. It shatters on the red tile.
Lucía’s mission: to kill Iván. Why? Because he left her for Pepa. Now he’s left Pepa for someone else. Lucía sees the pattern and has a solution: violence. She also reveals she’s been sleeping in Pepa’s stairwell for two days, waiting. women on the verge of a nervous breakdown movie
Desire. Betrayal. Gazpacho. Some days, you just have to laugh before you cry. Pepa looks at the answering machine
Pepa just shakes her head. She turns to Iván. “Go to Stockholm,” she says. “Or hell. I don’t care anymore.” Back at the apartment, the women wake up. It’s dawn. The gazpacho has worn off. Candela, groggy but clear-eyed, finally sees the absurdity of her situation. She calls the police, reports the van, and breaks up with the terrorist via a note on a napkin. Marisa steals a cigarette and declares she’s going to become a flamenco dancer. Ángela, for the first time, admits she doesn’t actually love Carlos—she just loves the idea of a wedding. And hurls it into the street below